Creative Lives
We talk good vibes and making art with Lord Whitney set builder, Rufus Newell
Creative Lives
Making it happen: Lord Whitney’s creative producer, Lins Wilson
In the Studio With
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Meet Leeds-based production studio and ‘connoisseurs of make-believe’ Lord Whitney
First Hand

First jobs: The good, the bad and the ugly

Creative Lives
Creative Lives
Talking samples, sheets and swatches with G . F Smith’s graphic arts consultant, Vanessa Fletcher
In the Studio With
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A passion for paper: We go inside G . F Smith’s Show Space
Creative Lives
“If you’re good, you’ll get noticed” – meet Vintage’s deputy art director, Stephen Parker
In the Studio With
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How Penguin Random House’s book covers are born: Meet the Vintage design team
Creative Lives
We discuss flexible, future-facing skill sets with Vintage’s senior designer, Julia Connolly
Creative Lives
Talking images, illustrations and ideas with Vintage’s designer Rosie Palmer
Creative Lives
Why being a team player trumps technical ability for ustwo’s product designer Dem Gerolemou
Creative Lives
Daniel Demmel, full-stack web developer at ustwo, uses technology to make people’s lives easier
Creative Lives
ustwo’s Cara Bermingham on what it means to be a delivery coach, teamwork and the importance of empathy
Creative Lives
Product designer at ustwo, Kota Kobayashi: “Stay humble. Stay hungry. Take risks. Be seen”
In the Studio With
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Digital design studio ustwo: “It doesn’t look like any other agency from the outside because it doesn’t from the inside either”
Creative Lives
Maximo Recio, art director at Another Space, informs his work with everything from “high-brow books to crappy TV shows”
Creative Lives
Another Space producer Alex Clunie on solving problems and navigating a male-dominated industry
Creative Lives
Another Space’s technical designer Lee Sampson: “You have to get out there – it’s all about meeting people”
In the Studio With
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Another Space: the creative studio making immersive spatial works for Massive Attack, James Blake and Nike
In the Studio With
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Reed Words on how they find a brand’s voice and craft the “world’s brightest words”
Creative Lives
Sam Russell, copywriter at Reed Words, discusses finding his calling
Creative Lives
Reed Words’ client services manager Laura Potter: “It’s not the job title that’s important, but whether you enjoy it”
Creative Lives
Reed Words’ senior writer Afy Nou on developing opinions, changing post-uni prose style and compiling a strong portfolio
Creative Lives
We chat to Build co-founder and director Nicky Place about running her own business and balancing creativity with strategy