Creative Lives
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We talk good vibes and making art with Lord Whitney set builder, Rufus Newell
Creative Lives
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Making it happen: Lord Whitney’s creative producer, Lins Wilson
Creative Lives
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From sculpture to set design: Jessica Ciantar, Lord Whitney’s designer and assistant
In the Studio With
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Meet Leeds-based production studio and ‘connoisseurs of make-believe’ Lord Whitney
First Hand

First jobs: The good, the bad and the ugly

Creative Lives
Creative Lives
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Talking samples, sheets and swatches with G . F Smith’s graphic arts consultant, Vanessa Fletcher
In the Studio With
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A passion for paper: We go inside G . F Smith’s Show Space
Creative Lives
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“If you’re good, you’ll get noticed” – meet Vintage’s deputy art director, Stephen Parker
In the Studio With
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How Penguin Random House’s book covers are born: Meet the Vintage design team
Creative Lives
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We discuss flexible, future-facing skill sets with Vintage’s senior designer, Julia Connolly
Creative Lives
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Talking images, illustrations and ideas with Vintage’s designer Rosie Palmer
Creative Lives
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Daniel Demmel, full-stack web developer at ustwo, uses technology to make people’s lives easier
Creative Lives
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Why being a team player trumps technical ability for ustwo’s product designer Dem Gerolemou
Creative Lives
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ustwo’s Cara Bermingham on what it means to be a delivery coach, teamwork and the importance of empathy
Creative Lives
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Product designer at ustwo, Kota Kobayashi: “Stay humble. Stay hungry. Take risks. Be seen”
In the Studio With
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Digital design studio ustwo: “It doesn’t look like any other agency from the outside because it doesn’t from the inside either”
Creative Lives
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Maximo Recio, art director at Another Space, informs his work with everything from “high-brow books to crappy TV shows”
Creative Lives
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Another Space producer Alex Clunie on solving problems and navigating a male-dominated industry
Creative Lives
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Another Space’s technical designer Lee Sampson: “You have to get out there – it’s all about meeting people”
In the Studio With
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Another Space: the creative studio making immersive spatial works for Massive Attack, James Blake and Nike
In the Studio With
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Reed Words on how they find a brand’s voice and craft the “world’s brightest words”
Creative Lives
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Sam Russell, copywriter at Reed Words, discusses finding his calling
Creative Lives
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Reed Words’ client services manager Laura Potter: “It’s not the job title that’s important, but whether you enjoy it”
Creative Lives
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Reed Words’ senior writer Afy Nou on developing opinions, changing post-uni prose style and compiling a strong portfolio