Creative Lives
Another Space producer Alex Clunie on solving problems and navigating a male-dominated industry
Creative Lives
Maximo Recio, art director at Another Space, informs his work with everything from “high-brow books to crappy TV shows”
Creative Lives
“I wanted to learn something I could spend a lifetime mastering” – sign painter Archie Proudfoot
Creative Lives
Photographer Mathieu Willcocks on documenting sea rescues, staying driven and dealing with isolation
Parts of the Process
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Director Fred Scott used an iPhone to shoot an eight-minute documentary for Boat Magazine
Creative Lives
Ciaran McCarthy, Group Creative Director at R/GA, on recreating The Prodigy’s Firestarter and the essential reading for creatives
Creative Lives

Pragmatic freelance photography producer Vinita Davé on multitasking and thinking on your feet

Written by Laura Snoad
Creative Lives
“If the producer looks flustered, it will impact everyone” James Guy Head of Broadcast at Wieden + Kennedy London
Creative Lives
“Keep things short. Don’t use fancy words” DesignStudio’s copywriter Liam Hill
Creative Lives
“Every project I work on teaches me something new” – Paul Irwin, senior project manager at DesignStudio
Creative Lives
Animation director Paul Layzell chats learning on the job, developing a style and the narcissism of social media
Creative Lives
London-based creative director and designer Bruce Usher on running his own one-man studio
Creative Lives
Hastings-based illustrator Ben Newman on building relationships, writing for children and weathering bad reviews
Creative Lives
Writer and events producer Stephanie Hartman: “I knew by second year I didn’t want to be an illustrator”
Parts of the Process
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London studio Sawdust explain how self-initiated type project Quainton made them more resilient for client briefs
Creative Lives
Jennifer Zheng, junior animator at Moth, talks us through the first nine months of her professional career
Creative Lives
Producer and executive producer Peter Maynard on working your way up from the bottom
Creative Lives
Ifor Ashton, producer at animation studio Moth, discusses the joys and challenges of working with close friends
Creative Lives
Creative director Charlotte Heal on discovering the missing link between graphic design and photography
In the Studio With
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London animation studio Moth discuss their heartfelt approach and generating an atmosphere that “feels like home”
Creative Lives
Marie-Margaux Tsakiri-Scanatovits, director at animation studio Moth, on how to run a successful collective
Creative Lives
We talk to NB Studio’s account manager Hannah Rea about eagerness versus experience
In the Studio With
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Crafting “brave, effective and beautiful” work is the core focus for London design practice NB Studio
Creative Lives
Freelance copywriter Roshni Goyate discusses the ever-changing work of a ‘writing chameleon’